Moog, Suzanne Ciani, Expert Sleepers — Synth News Digest 2
Welcome to another edition of the TabMuse Synth News Digest. If you are interested in checking out the last music […]
Review: Objeq Delay – a Plugin that inspires Creativity
Musicians and producers searching for a unique plugin that rewards experimentation and creativity need look no further than Objeq Delay.
Superbooth, Novation, Behringer, Propellerhead — Synth News Digest 1
This is the first installment of what I hope to be a regular series on TabMuse. Essentially, it collects recent
Review: Eventide Fission offers a Unique Take on Effects Processing
“Eventide Delay. Digital Delay.” – Jon Anderson, Olympia Musicians, engineers, and producers looking for a unique effects plug-in for their
Review: SynthMaster One brings Great Value as a Software Synthesizer
Anyone searching for a flexible software synthesizer with a wide array of sonic possibilities at a great price need look
The New Apple iPad pulls me back into iOS Music
The recent introduction of Apple’s new iPad line surprised many industry pundits. With technical specs rivaling the iPad Air 2,
A Love Letter to the Line 6 DL4 Delay Stompbox
“Delay is the Antidote for Anger” – Ancient fortune cookie wisdom The Yamaha MM8 serves as my main synth for
Virtual Dispatches from NAMM 2017
The fact that I didn’t attend this year’s NAMM conference doesn’t stop me from writing about a few of the
The Hotone Skyline Choir Analog Chorus – a Review
After receiving a holiday gift card for the famous “blue branded” consumer electronics retail establishment, I struggled to find any
Arturia DrumBrute – First Impressions
For this Holiday season’s gift to the studio, I decided on the Arturia DrumBrute. An analog drum synthesizer and sequencer,
Recording Digest: Church of Hed — Brandenburg Heights
Editor’s note: Jerry Kranitz published Aural Innovations magazine for nearly twenty years until retiring earlier in 2016 to work on
Review: Space Out with the TC Electronic T2 Reverb
Effects pedals haven’t been the sole domain of guitar players for decades. Increasingly, keyboardists and synthesists use pedals to transform