Tag: iOS Modular synths

  • Review: Shockwave is a Versatile iPad Semi-Modular Synth

    Review: Shockwave is a Versatile iPad Semi-Modular Synth

    The iOS platform is overrun with so many synth apps, it’s hard to stand out from the pack. This isn’t the case with Shockwave. It’s a monophonic synth using phase distortion synthesis and a workflow straight out of the Eurorack modular world to provide unique sounds suitable for everything from leads to drones.

    Shockwave For The iPad Features

    • Semi-Modular Phase Distortion Monophonic Synth
    • Two Oscillators With 5 Waveforms and Noise
    • Two ASR Envelopes
    • Two Syncable LFOs
    • Mixer With Separate Level and Pan Controls Per Oscillator
    • Cross-Mod Oscillators With Frequency, Amplitude, Ring, and Phase Modulation
    • Robust Pattern Generator Powers 2×8 or 1×16 Sequencer
    • Modulation Support Features 11 Sources and 40 Destinations
    • Modular Features Includes Logic Module, Probability Gate, and Trigger Divider
    • Support for MPE, MIDI CC Learn, and More
    • Deep MIDI Out Functionality Controls External Apps and Hardware
    • Great Reverb and Delay Effects
    • Supports AUv3, IAA, and Audiobus 3
    • Available at The App Store For $19.99

    Developed by Kai Aras and his company, Numerical Audio, Shockwave belongs in the app library of any iOS musician looking for a high-quality semi-modular synth. Its great sound and intuitive interface make it easy to dive right in and create patches usable in electronic and experimental music. As such, it definitely ranks among the best iOS synth apps.

    Shockwave’s Intuitive Interface Supports Experimentation

    Shockwave’s interface features two main screens. One primarily handles the synth programming, with the other featuring the sequencer and utility functions. Everything is laid out in a logical manner, utilizing a cool purple color scheme which can be modified.

    Shockwave iOS Image
    Shockwave features a clean user interface. Screenshot by author.

    On both screens, tapping the question mark enters a help mode where clicking on a control reveals its function. Still, navigating Shockwave is simple for any semi-experienced synth user. Buttons to switch screens, browse patches, manage modulations, control playback, and more lurk at the top of the synth interface.

    The main synth screen features a symmetrical layout, with an oscillator and associated controls located on each side. Naturally, the oscillator cross-modulation functionality, including FM, AM, as well as phase and ring modulation, lurks in the middle, along with a useful oscilloscope. In addition to the output waveform, the scope can also display the LFOs and envelopes. The LFOs and mixer section also reside in the middle.

    The two envelopes sports dual sliders to manage the attack and release, along with a switch to select the envelope trigger, which is useful in a modular environment. Separate switches activate sustain mode for both envelopes. For each oscillator, there are knobs to manage turning as well as select a waveform. Note that most of these controls serve as destinations for modulation sources. We’ll dive into that later.

    On the left side of the synth programming screen resides functionality for generating notes used by the sequencer. You are able to set the sources for note and trigger generation as well as an interesting shift function. This little section plays a big role in Shockwave’s cool factor and serves well for building drones and generative sequences.

    Delay and reverb effects lie on the right edge of the screen. Both effects sound great, but special attention for the lush reverb algorithm is warranted. It’s one of the reasons Shockwave has such a great sound.

    A Deep Sequencer Adds to Shockwave’s Fun Factor

    Shockwave’s second main screen contains the sequencer and other utility functions. The robust sequencer operates in either 2×8 or 1×16 modes. Of course, varying the number of steps is possible, leading to those lovable weird time signatures and/or polyrhythms. The note generator section on the first screen works in concert with the sequencer for operation. As noted earlier, it’s a great setup for building generative music.

    Shockwave iOS Image 2
    Shockwave’s versatile sequencer in action. Screenshot by author.

    The utility functions give Shockwave a lot of its modular synth flavor. Divider, probability, sample & hold, and a logic section round out this functionality. Anyone familiar with modular synthesis is able to dive right in and explore these features.

    However, if you are unfamiliar with the modular world, explore the copious amount of presets included with Shockwave to get some inspiration. The interface is simple enough to support an explorative approach. Using the X-Ray button to see how the controls react in real time helps as well.

    Excellent Modulation Support Highlights This Modular Synth

    Shockwave’s robust modulation matrix is an essential part of its success as a semi-modular synth. Simply tapping the Route button highlights all controls able to be modulated. Tap on a control and select a source and mod level and boom! It’s that simple.

    Tapping the Mod button reveals all current modulations; enabling you to delete or edit them as necessary. This intuitive interface also boosts Shockwave’s fun factor. Once again, dive into the large preset collection to see what’s possible. Jakob Haq’s patches span a wide range of Shockwave’s functionality and are worthy of your interest.

    Once again, more everything in Shockwave can be modulated. So creating generative loops and drones is simple. Shockwave’s AUv3 support means it’s easy to use Shockwave in concert with other effects and synths in AUM or other container apps supporting the AUv3 format. It also supports older iOS standards like IAA and Audiobus.

    Shockwave even boasts robust MIDI functionality, including support for MPE controllers and deep MIDI out functionality letting you control virtual and hardware synths. In short, this synth plays well with itself and others.

    Shockwave Boasts Excellent Sound Quality

    All these cool features go for naught if Shockwave sounded like ass. Thankfully, it doesn’t. Its internal Reverb being one of the best on the iOS platform is just one example of the great sound quality within the app. Everything from screeching leads to deep contemplative drones are possible. Again, check out the presets to get an idea for Shockwave’s top notch sonics. In the end, Shockwave holds a unique spot in the world of iOS synths. Other iOS modular synths we reviewed, like miRack, Ripplemaker, and Audulus, have their own strengths. However, Shockwave’s great sound, focused interface design, and modular functionality makes creating unique generative drones and sequences a blast. It definitely ranks as one of the top synths for the iOS platform. Of course, we recommend it!

  • Review: Ripplemaker brings West Coast Modular Synthesis to iOS

    Review: Ripplemaker brings West Coast Modular Synthesis to iOS

    Ripplemaker is the latest iOS music app from Ruismaker and developer, Bram Bos. Essentially a semi-modular synthesizer focused on West Coast techniques, consider Ripplemaker to be the tablet-based cousin of Make Noise’s excellent 0-Coast desktop synth. Suitable for the creation of drones and other sonic atmospheres of doom, this is another excellent product worthy of attention from any iOS musician.

    Ripplemaker Features

    • Easy to Use Semi-Modular Synth App
    • Complex Oscillator, FM, Lowpass Gate, Slope Generator, Maths!
    • Virtual Patch Cables Abound
    • The Excellent Bram Bos Sequencer
    • AU Plugin with a Small Footprint
    • Support for Audiobus, Core MIDI, Virtual MIDI, Bluetooth MIDI
    • Exports MIDI and Audio Files
    • Universal App for both iPad and iPhone
    • Available at the App Store for $8.99

    If you have any level of interest in modular synthesis, Ripplemaker belongs in your iOS app collection. Its “single screen” interface is easier to grasp than other iOS modular synths. Check it out!

    An iOS Modular Synth on One Screen

    The fact Ripplemaker easily fits on one screen makes it easier to use than most other iOS modular synth apps, like Audulus and the Moog Model 15 – both of which I love. Empirical experimentation gets rewarded as virtual cables are easily dragged and dropped between patch points. While drones are one of the biggest selling points for Ripplemaker, the excellent Bram Bos sequencer – as seen in Troublemaker and other Ruismaker apps – is also part of the app when used in standalone mode.

    ripplemaker image
    Ripplemaker in action on the iPad. Screenshot by author.

    Ripplemaker’s screen layout is somewhat reminiscent of the 0-Coast. From left to right are sections labeled Control Signal, Oscillator, Slope, Lowpass Gate, and Envelope, with an LFO and amplifier that also includes a delay. Color-coded jacks make wiring up patches an easier process. You are also able to break the normalized input jacks to build your own interesting sounds, while the normalized outputs are shareable with different inputs. Stack those virtual patch cables!

    West Coast Synthesis on iOS

    A West Coast synthesizer architecture lies at the heart of Ripplemaker. The basic oscillator is a triangle wave, while a voltage-controlled knob allows morphing into a square wave. Additional waveform complexities are generated using the wavefolder and push controls – the latter adding a DC offset. FM modulation – with multiple options for a modulator – rounds out the synth’s oscillator design.

    The versatile slope generator is usable as an AD envelope, LFO, or another oscillator. The envelope is the default setting. Simply tap the “cycle” checkbox to switch it into LFO mode – this is somewhat similar to the 0-Coast. Tapping “keytrack” allows the same CV signal used for the main oscillator to control the slope frequency, with fine tuning allowed by the voltage controlled curve knob. Sonic possibilities abound.

    A low pass gate circuit serves as Ripplemaker’s West Coast version of a filter combined with a VCA in the Buchla School way. The “gate:filter” knob emphasizes either the filter or the amplifier, and of course, it’s voltage controlled. The combined noise/sample and hold module only adds to the fun.

    A standard ADSR envelope, with two discrete output jacks, adds to Ripplemaker’s architectural flexibility. This module also provides an output jack that sends a pulse when the decay starts. The amplifier and LFO dual module rounds out Ripplemaker’s architecture; a built-in delay helps push your sonic designs over the cliff as necessary.

    Can-Utility and the Control Signals

    Ripplemaker’s Control Signal module takes incoming MIDI information and converts it into the CV and gate signals used throughout the synth. A separate clock I/O helps keep the synth in sync. The utility section essentially serves as a maths module. It provides inputs, attenuators, and outputs with an add/multiply circuit used to blend both inputs – either a CV or an audio signal. It’s definitely useful.

    Unlike Troublemaker, Ripplemaker allows for the saving of patches, albeit without Save As/Overwrite functionality. Granted, since it is an AU plugin many users take advantage of their iOS container app’s state saving functionality when designing patches. I primarily use iOS synths in standalone mode through a bunch of outboard effects before the audio ends up in ProTools, so in-app patch saving is helpful.

    If you are interested in exploring West Coast modular synthesis without investing hundreds of dollars in hardware, Ripplemaker serves as a perfect introduction. With a simple and intuitive interface that rewards experimentation, it is a powerful and flexible synth without the complexity of other iOS modular synthesizers.