Tag: VirSyn

  • Review: VirSyn’s Cube Synth makes Additive Synthesis a Breeze

    Review: VirSyn’s Cube Synth makes Additive Synthesis a Breeze

    Over the last year or so, I’ve been focused on recording the new Church of Hed album, Electric Sepulcher, with hardware synths typically being my gear of choice compared to the venerable iPad 2. As such, I am about a year late with this profile of VirSyn’s excellent Cube Synth, which brings the esoteric world of additive synthesis within a finger swipe of any iPad owner. Users of other VirSyn iOS apps should feel right at home with the familiar interface.

    Cube Synth for the iPad Features

    • Easy to Program Additive Synth Engine
    • Four Morphable Sound Sources in Each Patch
    • Up to 512 Partials per Voice
    • 8 Voices either Monophonic or Polyphonic
    • 400 Factory Presets featuring a Wide Array of Sounds
    • Harmonic/Inharmonic/Noise Spectra
    • Morphable Filters and Tempo Synced Envelopes
    • VirSyn’s Powerful Arpeggiator and Six Effects
    • Support for Audiobus 2, Inter-App Audio, Core MIDI, Virtual MIDI
    • iOS version 5.1 and greater
    • Available at the iTunes App Store for $11.99

    Cube Synth’s powerful and intuitive controls make it easy to create new additive patches or modify the well-designed factory set. If additive synthesis always seemed too daunting, a few hours with this app will change your mind.

    Additive Synthesis at the Touch of a Finger

    In a sentence, additive synthesis creates sounds by mixing together any number of sine wave harmonics — known as partials. This allows for a wide range of sonic possibilities, but the difficulty in programming hundreds of individual sine waves for one patch made this form of synthesis less popular than its subtractive cousin. I own one hardware additive synth — the Kawai K5000W — and programming it can be tedious yet ultimately rewarding.

    Cube Synth Main Screen
    Cube Synth features a clear user interface with excellent use of the iPad’s touch gestures.

    Cube Synth leverages the iPad’s touchscreen to make additive synthesis a relative breeze. A simple finger swipe is used to set the level for multiple partials and to control morphing filters and envelopes. Controlling the morphing with an envelope gives a patch the sense of motion typical of this form of synthesis.

    Each patch uses four different sound sources; while another touch controlled 2D section located in the middle of the main interface screen lets you morph between these sound sources with your finger. Cube Synth also lets you use two dedicated envelopes for the X and Y axes. A global brightness control offers additional tweaking possibilities.

    Tapping the label for one of the four sound sources (labeled from A to D) brings up another screen to manage that source’s partials as mentioned earlier. Other tabs on this pop-up screen allow easy touch programming of each partial group’s pan position, attack, decay, filter, and noise. Deep additive synthesis with a finger swipe! Boom!

    Cube Synth Partials
    You can edit a source’s partial set with a simple finger swipe.

    A tools dialog provides the ability to copy and paste partial groups as well as load new ones from a collection covering vocal, natural, analog, and special sources.

    Another User Friendly VirSyn Mobile App

    You are able to program envelopes (volume and the X and Y sound source morphing mentioned above) in one of Cube Synth’s other screens accessible from the menu at the top of the interface. Once again, finger taps and swipes offer a wide range of easy control. This screen also allows you to pair modulation sources with the brightness, volume, and envelope time parameters and set the number of voices, portamento, and keyboard tracking for a patch.

    Loading presets and saving your own patches is simple; accomplished by tapping on the patch name at the top of the screen. You are also able to make sound recordings and use AudioCopy, SoundCloud, or iTunes file sharing to share audio files. The latter works for sharing patches as well.

    Cube Synth includes the excellent VirSyn arpeggiator/sequencer also found in their miniTera app. Creating weird time signatures is a breeze — a big plus in my book! Each patch saves its own arpeggiation, plus you can share separately between patches. Tap on the dice to create a random arpeggiation.

    Cube Synth Arp Screen
    Weirdo time signatures are a breeze with Cube’s Synth’s arpeggiator/sequencer.

    Six effects — EQ, phaser, delay, overdrive, ensemble, chorus, and reverb — round out Cube Synth’s robust synth engine.

    Cube Synth Effects
    Cube Synth features six effects.

    If you are an iPad owner interested in additive synthesis, Cube Synth needs to be in your app collection. If offers a user friendly path into this rewarding form of sound creation. Recommended!

  • Review: microTera — Waveshaping the iPad Synth World

    Review: microTera — Waveshaping the iPad Synth World

    VirSyn’s microTera is an excellent iPad synth app that offers its own take on the world of iPad sound creation. Essentially a smaller version of the miniTera desktop softsynth, which I used on Church of Hed’s Rivers of Asphalt album (“Painted Desert and Mountain Sky“), microTera features an intuitive interface with a unique and powerful synth architecture based on waveshaping. A top notch sequencer/arpeggiator and a robust effects engine round out the package.

    microTera for the iPad Features

    • Waveshaping Synthesis with a Touchscreen Control
    • Three Sine Oscillators
    • Four LFOs and Four EGs with Tempo Sync
    • 16 Voices either Monophonic or Polyphonic
    • Programmable Sequencer and Arpeggiator
    • Five Effects (Chorus, Phaser, Distortion, Delay, Reverb)
    • 150 Factory Patches
    • Support for Audiobus, Inter App Audio, CoreMIDI, Virtual MIDI, and more
    • Available at the iTunes App Store for $9.99

    microTera’s unique synth engine positions it as a standout in the crowded iPad synth app scene. The powerful sequencer and graphical waveshaping interface make this app a must download for synth fans.

    Waveshaping Synthesis for the Masses

    microTera’s interface is spread across four main screens, covering waveshaping, envelopes, arpeggiator, and effects. A menu bar at the top navigates between the screens along with providing patch management and other functionality. A functional touchscreen keyboard lies at the bottom of the interface.

    microTera Waveshaper Screenshot
    microTera’s waveshaper interface offers an intuitive touch-enabled interface. Screenshot by author.

    Clicking on the pair of dice in the top menu bar randomizes a patch, offering a great way to dive into the microTera’s unique synthesizer architecture. Just tap and go.

    microTera features three sine oscillators that get fed into the waveshaper. Detuning the oscillators against each other creates interesting harmonics and noise in the waveshaper, which also sports a graphical display that can be manipulated in real time. The Chaos level knob introduces noise using a feedback loop, adding to the general sonic mayhem.

    Envelopes, LFOs, and a Modulation Matrix

    Four envelopes, each with an intuitive graphical touch interface, help to make patches breathe. A simple modulation matrix is built into the waveshaping screen, providing control of the oscillators, waveshaper input, Chaos level, amplitude, and panning. It’s a powerful setup.

    In addition to using the envelopes as modulation sources, microTera also provides four LFOs able to join in the fun. Each LFO is syncable, with a standard selection of waveforms. Other modulation sources include pitch, velocity, aftertouch, mod wheel, pitch bend, and more.

    Effects added to the Mix

    microTera’s architecture has five separate effects each powered by an intuitive interface. The phaser especially provides a nice sheen, and the BPM-synced delay adds another measure of motion to synth patches. The distortion effect includes both tape and tube options.

    microTera Effects screenshot
    microTera’s effects engine adds nicely to the sonic mayhem. Screenshot by author.

    The chorus and reverb serve well in providing patches with a sense of space as well as creamy sonics. My only real complaint about the effects is that their parameters apparently can’t be modulated.

    An Intuitive and Powerful Arpeggiator

    microTera’s powerful arpeggiator is one of the best available for an iPad synth. Effectively a sequencer, it is possible to easily create patterns of up to 32 steps with control over notes, accents, and more by using finger swipes (take note Cakewalk Z3TA+). Yes Virginia, odd time signatures are possible.

    microTera Arpeggiator Screenshot
    microTera’s powerful arpeggiator provides the icing on the cake for this excellent synth app. Screenshot by author.

    Pairs of dice lurk all over the interface, meaning most everything in the arpeggiator can be randomized. Your patterns are savable which is especially useful when randomizing patches on the fly. This combination arpeggiator and sequencer serves as the final piece of the puzzle, making microTera one of the top synth apps for the iPad.

    Don’t let your unfamiliarity with waveshaping synthesis scare you from picking up microTera. The patch randomization feature and easy to follow interface make creating your own patches a breeze. Throw in one of the best arpeggiators on the iOS platform, and it becomes easy to recommend microTera.