Tag: Ripplemaker

  • Review: Explore Deep Sonic Vistas with SynthScaper for iOS

    Review: Explore Deep Sonic Vistas with SynthScaper for iOS

    If you are searching for an iPad music app suitable for creating rich and unique ambient drones look no further than SynthScaper. An innovative user interface combines with top notch sound quality to make the creation of these sonic atmospheres rewarding and fun. In addition to the spaced-out ambience, this app also offers somewhat traditional instrument simulations with an interesting twist or two.

    SynthScaper for the iPad Features

    • Three Oscillators with Three Layers Each
    • Six Voices in Each Oscillator Layer
    • Six Envelope Generators and LFOs
    • Discrete Arpeggiator for Each Oscillator
    • Each Layer has its Own HPF, LPF, Level, and Balance Controls
    • A Very Cool “Spatial” Mixer
    • Flexible Virtual Keyboard plus Support for Two MIDI Controllers
    • Sample Upload using Dropbox, Clipboard, or Web
    • Robust Preset and Sample Library
    • Support for IAA and Audiobus
    • Universal App for iPad and iPhone
    • Available at the iTunes App Store for $9.99

    A simple glance at SynthScaper’s feature set hints at its massive sound along with the architectural flexibility to foster new kinds of alien planetscapes. When also considering Ripplemaker, there’s no denying the iOS synth world now offers two top notch apps for designing ambient drones. Developed by Igor Vasiliev, known for SoundScaper and other iOS music apps, it is easy to recommend SynthScaper.

    Real-Time Drones for the Revolution

    SynthScaper’s user interface is largely dominated by the Spatial Mixer at the upper middle of the screen. Three circular “orbs” represent the three oscillators, with nifty radial sliders for controlling the overall level of each oscillator as well as the two effect sends. Drag the orbs around the mixer for to move each oscillator around the sound space, while the current waveform is displayed in real-time using a cool oscilloscope-like display. That latter feature can be disabled on resource challenged devices

    SynthScaper Image-1
    SynthScaper’s Spatial Mixer in action. Screenshot by author.

    This interface innovation facilitates the real-time manipulation of drones; one of the biggest selling-points of the app for me. You are also able to mute oscillators, hold notes, and add even new ones to a drone using the virtual keyboard or an external controller. A meter at the bottom screen displays the overall level of the patch.

    A Rich Synthesizer Architecture

    Each oscillator in SynthScaper includes three separate layers. Manage each oscillator using the menu (one for each) on the left side of the screen. You also control the filter, arpeggiator, and keyboard settings for each oscillator from this menu.

    The oscillator settings screen is incredibly detailed. You are able to load either factory or your own samples for each layer, greatly adding to the app’s extensibility. A whole host of other settings to manage sample playback – including the six envelopes and LFOs – are also accessible.

    SynthScaper Image-2
    SynthScaper features a rich synthesizer architecture. Screenshot by author.

    In addition to controlling SynthScaper’s robust filters, the synth’s two effects channels are also managed from the filter parameters page. While this architectural-slash-interface style seems confusing at first, the additional flexibility is welcome after getting used to it. In a similar manner, the LFO and envelope settings are also accessible from each page where they are used.

    Buttons to manage SynthScaper’s thorough keyboard mapping settings and an arpeggiator page are also available for each oscillator on the left menu. The menu on the right side provides access to the manual, settings and other utility functions – including file wrangling with Dropbox support. A small menu at the top of the screen handles patch (known as a “Scene”) management. Of course, there is a reverb – essential for quality droning activities.

    SynthScaper just might be the best drone app on the iOS platform – and it does so much more – check out the Vox Continental scene. Excellent sound quality and a great interface, highlighted by the Spatial Mixer, make manipulating drones in real time a blast. I am currently putting the app through its paces on a couple tracks on an upcoming Church of Hed release.

    The bottom line is quite simple: you need SynthScaper in your app library.


  • Review: Ripplemaker brings West Coast Modular Synthesis to iOS

    Review: Ripplemaker brings West Coast Modular Synthesis to iOS

    Ripplemaker is the latest iOS music app from Ruismaker and developer, Bram Bos. Essentially a semi-modular synthesizer focused on West Coast techniques, consider Ripplemaker to be the tablet-based cousin of Make Noise’s excellent 0-Coast desktop synth. Suitable for the creation of drones and other sonic atmospheres of doom, this is another excellent product worthy of attention from any iOS musician.

    Ripplemaker Features

    • Easy to Use Semi-Modular Synth App
    • Complex Oscillator, FM, Lowpass Gate, Slope Generator, Maths!
    • Virtual Patch Cables Abound
    • The Excellent Bram Bos Sequencer
    • AU Plugin with a Small Footprint
    • Support for Audiobus, Core MIDI, Virtual MIDI, Bluetooth MIDI
    • Exports MIDI and Audio Files
    • Universal App for both iPad and iPhone
    • Available at the App Store for $8.99

    If you have any level of interest in modular synthesis, Ripplemaker belongs in your iOS app collection. Its “single screen” interface is easier to grasp than other iOS modular synths. Check it out!

    An iOS Modular Synth on One Screen

    The fact Ripplemaker easily fits on one screen makes it easier to use than most other iOS modular synth apps, like Audulus and the Moog Model 15 – both of which I love. Empirical experimentation gets rewarded as virtual cables are easily dragged and dropped between patch points. While drones are one of the biggest selling points for Ripplemaker, the excellent Bram Bos sequencer – as seen in Troublemaker and other Ruismaker apps – is also part of the app when used in standalone mode.

    ripplemaker image
    Ripplemaker in action on the iPad. Screenshot by author.

    Ripplemaker’s screen layout is somewhat reminiscent of the 0-Coast. From left to right are sections labeled Control Signal, Oscillator, Slope, Lowpass Gate, and Envelope, with an LFO and amplifier that also includes a delay. Color-coded jacks make wiring up patches an easier process. You are also able to break the normalized input jacks to build your own interesting sounds, while the normalized outputs are shareable with different inputs. Stack those virtual patch cables!

    West Coast Synthesis on iOS

    A West Coast synthesizer architecture lies at the heart of Ripplemaker. The basic oscillator is a triangle wave, while a voltage-controlled knob allows morphing into a square wave. Additional waveform complexities are generated using the wavefolder and push controls – the latter adding a DC offset. FM modulation – with multiple options for a modulator – rounds out the synth’s oscillator design.

    The versatile slope generator is usable as an AD envelope, LFO, or another oscillator. The envelope is the default setting. Simply tap the “cycle” checkbox to switch it into LFO mode – this is somewhat similar to the 0-Coast. Tapping “keytrack” allows the same CV signal used for the main oscillator to control the slope frequency, with fine tuning allowed by the voltage controlled curve knob. Sonic possibilities abound.

    A low pass gate circuit serves as Ripplemaker’s West Coast version of a filter combined with a VCA in the Buchla School way. The “gate:filter” knob emphasizes either the filter or the amplifier, and of course, it’s voltage controlled. The combined noise/sample and hold module only adds to the fun.

    A standard ADSR envelope, with two discrete output jacks, adds to Ripplemaker’s architectural flexibility. This module also provides an output jack that sends a pulse when the decay starts. The amplifier and LFO dual module rounds out Ripplemaker’s architecture; a built-in delay helps push your sonic designs over the cliff as necessary.

    Can-Utility and the Control Signals

    Ripplemaker’s Control Signal module takes incoming MIDI information and converts it into the CV and gate signals used throughout the synth. A separate clock I/O helps keep the synth in sync. The utility section essentially serves as a maths module. It provides inputs, attenuators, and outputs with an add/multiply circuit used to blend both inputs – either a CV or an audio signal. It’s definitely useful.

    Unlike Troublemaker, Ripplemaker allows for the saving of patches, albeit without Save As/Overwrite functionality. Granted, since it is an AU plugin many users take advantage of their iOS container app’s state saving functionality when designing patches. I primarily use iOS synths in standalone mode through a bunch of outboard effects before the audio ends up in ProTools, so in-app patch saving is helpful.

    If you are interested in exploring West Coast modular synthesis without investing hundreds of dollars in hardware, Ripplemaker serves as a perfect introduction. With a simple and intuitive interface that rewards experimentation, it is a powerful and flexible synth without the complexity of other iOS modular synthesizers.