Tag: RD-808

  • A Distant View of Knobcon Number Seven

    A Distant View of Knobcon Number Seven

    Knobcon is an annual synthesizer convention located in the Chicagoland region. Featuring synth vendors, electronic music performances, and more, the event continues to grow in popularity. This year’s edition took place at the Hyatt Regency in Schaumburg, conveniently offering a full experience under one roof.

    Eventide-Knobcon-7
    Part of Eventide’s booth at this year’s Knobcon synth convention. Photo copyright Eventide.

    Some year, I’d like to venture northwest to attend in person, but this time out just kept an eye on the proceedings from afar. TabMuse needs a larger travel budget! Nonetheless, here are a few insights on what piqued my interest at Knobcon 2018.

    The Behringer Analog Drum Machines Intrigue

    Behringer’s expansion into the synthesizer instrument market continues unabated. The company’s Minimoog clone – the Model D – garners praise from synth nerds looking for quality analog sound on a budget. Naturally, it makes sense for the German instrument manufacturer to now turn its eyes on those classic Roland drum machines of yore: the TR-808 and TR-909.

    Knobcon 7 saw Behringer feature its Roland drum machine clones – the RD-808 and RD-909 – to the discerning ears of convention attendees. The 909 clone is still in a prototype stage. Check out the following video for a quick overview of this proto beatbox.

    On the other hand, the RD-808 is closer to hitting the market. Rumors place the price point for the Behringer TR-808 clone around $400. Not merely an imitation, the RD-808 features an internal filter and wave “mangler” for an extra measure of sonic manipulation.

    Here is a video overview of the RD-808. No release date is available at this time.

    If I didn’t already own an Arturia DrumBrute, a PO-12, and a host of software-based drum machines, either Behringer kit would be on my shortlist. That classic analog sound combined with additional features and functionality likely place both units in the wheelhouse of anyone doing electronic music. Their releases remain highly anticipated.

    Eventide’s Knobcon Presence illustrates Guitar Effects are now for Synth Players

    We regularly cover Eventide’s software effects plugins. In most cases, they beautifully simulate the company’s legendary hardware units. Speaking of which, I’d love to purchase an H9 someday.

    The fact that guitar effects are increasingly the domain of synthesists and sound designers is indisputable. We harp on this topic regularly on TabMuse and in person. Eventide’s booth at Knobcon 7 nicely illustrates this point.

    The company displayed nearly their full line of synth stomp pedals and effects with nary a guitar in view. Oh wait; I see one in the Twitter picture in the above link. Sigh. The booth also featured a Eurorack setup with some of Eventide’s products for that format.

    This provides another example of the blurring between the effects pedal and synthesizer markets. I think the Eurorack format is one of the key factors driving this trend. Once you get used to patching cables on a modular synth, plugging in a few hardware effects seems like nothing.

    For those synth musicians not dipping their toes in the Eurorack pool, it offers the means to take those synthesizer patches to a different place. Personally, it helps give me a small taste of the full modular experience, since I only own (and have the room for) the Make Noise 0-Coast.

    The Reemergence of the Polyfusion Modular Synthesizer

    The resurgence of the modular synthesizer market continues to bring former manufacturers back into the scene. Polyfusion is the latest company riding this industry trend. They originally issued the Polyfusion Series 2000 system in the 70s, inspired by Bob Moog’s seminal modular synth. In fact, the company cofounders were former Moog engineers.

    Now nearly five decades later, the brand name reemerged at Knobcon 7, with the announcement of the Polyfusion Series 3000 combined with a collection of new modules. The new series appears to be Eurorack compatible. The company demoed the original modular system at Knobcon: a unit owned by Toto’s Steve Porcaro.

    We’ll be keeping an eye on this great music technology story. Check out the video profiling the Series 2000 with insights from Polyfusion’s 74-year-old cofounder, Ron Folkman. The Series 3000 is expected to hit the market in 2019.


  • A Sky Level Overview of Superbooth 18

    A Sky Level Overview of Superbooth 18

    Superbooth is a German electronic music gear trade show rapidly growing in importance overseas. We gave it a small measure of coverage last year in the first edition of the TabMuse Synth News Digest. This time out we train our eye on a few intriguing synth announcements from Superbooth 18, as well as one from this year’s Moogfest.

    I planned on publishing this article last Monday, but work on getting the soon-come Church of Hed album – Sandstoned – ready for release delayed things. Expect studio notes on the album in a future article. After all that, here’s our quick overview of what intrigued us at Superbooth 18.

    Erica Synths Techno Drum System

    Whoa. This is essentially a small to medium-sized modular synth dedicated to drum sounds. It really sounds great, with a ton of flexibility to dial-in and patch the drum machine sounds of your dreams. Check out Sonic State’s video overview of this Erica Synths behemoth.

    Behringer announces a TR-808 Clone

    The synth clone wars continue unabated. Count Uli at Behringer introduced a few new clones at this year’s Superbooth, with the RD-808 garnering a lot of buzz. Considering the praise awarded on the Behringer’s clone of the Minimoog Model D, the RD-808 belongs on the shortlist of anyone looking for an old school drum machine.

    Uli and his elves hope to release the RD-808 in August. Here’s Sonic State’s take.

    More Behringer Replicants

    Two other Behringer synth clone announcements caught my eye. First off is their take on the ARP Odyssey. While this is a cool concept, Korg’s own line of authorized Odyssey synths stabilized the atmosphere for this clone. It does include full-sized keys, however.

    The announcement of the Behringer Pro-One intrigued me a bit more. A clone of the classic Sequential Circuits synth; a desktop Pro-One fills a need in my studio. They brought a prototype to Superbooth, and Uli’s team still hopes to get it to market by the end of the year. Check out Sonic State’s quick look at the Pro-One.

    Moog introduces a GILP at Moogfest

    One of the highlights of this year’s Moogfest, which should still be located in Asheville, was the announcement of the new Moog Grandmother synth. A semi-modular analog synth with a keyboard, the Grandmother features a color scheme reminiscent of the Moog Radio Shack synth from those halcyon days of yore. Nonetheless, great sounds abound.

    Moog Grandmother
    The Moog Grandmother. Photo copyright Moog Music Inc.

    Another intriguing feature of the Grandmother is its little spring reverb circuit, modeled after the vintage Moog 905. In fact, each component in the synth finds its parentage from a vintage Moog design. Two oscillators, ladder filter, LFO, ADSR envelope, arpeggiator, sequencer, and a multitude of patch points round out the Grandmother’s architecture.

    Buy one for everybody on your gift list. While the Grandmother intrigues, Ye Olde Sub 37 still wins the war in our space-constrained studio. However, I’d strongly consider the G before the Subsequent 37 if buying either three today.

    So that’s it for our quick Superbooth 18 overview, with the Moog Grandmother also making an appearance. Perhaps one of these new (or cloned) synth designs intrigues you as well. There also were a host of new Eurorack module announcements as well if that’s how your synth rumbles!