Tag: KV331

  • Review: SynthMaster 2 is Another Top iPad Synth App From KV331

    Review: SynthMaster 2 is Another Top iPad Synth App From KV331

    We previously covered the desktop and iOS versions of SynthMaster One, top notch software synths from the folks at KV331 Audio. Notably, the mobile edition essentially featured the same powerful sonics and control as its desktop brother. Now KV331 effectively repeats this trick with SynthMaster 2 for the iPad. As a result, this synth app belongs in the library of any mobile musician.

    SynthMaster 2 Features

    • Essentially an iPad Version of the Desktop SynthMaster 2.9
    • Dual Layer Architecture Provides Two Synths in One
    • 8 Oscillators Supporting Cyclical Waveforms and Samples
    • Additive Mode Allows the Stacking of Oscillators
    • Wavetable Mode Features Wavetables With 256 Frames
    • Vector Mode Allows 4 Oscillators to be Mixed in 2D Space
    • The Flexible Use of Modulators Supports FM Synthesis and More
    • 6 Different Filter Types With Distortion
    • Supports Importing Wave Files to Use as Samples
    • A Flexible Massive Modulation Architecture
    • Arpeggiator/Sequencer With up to 32 Steps
    • Effects Engine With 13 Different Types, 5 Inserts Per Layer, 2 Global Sends
    • 4 Graphical Skins
    • Runs Standalone or as a AUv3 Plugin
    • Requires iOS/iPadOS 11 or Above
    • Available at the App Store for $24.99

    Needless to say, SynthMaster 2 sports a feature set and architecture rivaling any other iOS or desktop synth app. The sonics also rank at the top of mobile synth world. Let’s dive into the details to see why it makes sense as part of your collection.

    A Massive Synth Interface That Fits on Your iPad

    Once again, SynthMaster 2 for the iPad essentially includes all the features and functionality of the desktop version of the synth. Depending on the size of your iPad, expect some extra navigation to access the controls you need. The app works in standalone mode, as well as an AUv3 plugin in container apps like AUM. In the latter case, navigating the interface naturally requires additional effort, but it adapts to the available display space as noted in the second video in this article. However, having a massively powerful synth on a tablet computer more than makes up for any minor UI hassles.

    SynthMaster 2 for the iPad
    SynthMaster 2 for the iPad in action. Screenshot by author.

    Of course, using the iPad’s touchscreen to manipulate the controls of SynthMaster 2 provides its own set of benefits. The major achievement of wrangling the entire interface and sonics of a top desktop synth into the limited screen real estate and computing horsepower of an iPad cannot be overstated. So let’s further explore SynthMaster 2’s synth architecture and UI.

    The top of the screen contains a standard toolbar providing patch library navigation, access to the effects engine, app settings, and “About” information. Knobs provide volume control for the overall patch and its two layers. Yes, SynthMaster 2 features a dual-layer architecture that’s essentially two synths in one. Two buttons let you select either layer to program while a pair of switches let you turn both on and off.

    SynthMaster 2 within AUM
    Note how the SynthMaster 2 interface adapts within a container app. Screenshot by author.

    The rest of the interface easily adapts based on your preferences, with buttons effectively serving as tabs for selecting a synth module to edit. Oscillators, modulators, and filters reside in the row below the upper toolbar. Notably, certain modules, like the filters, provide a real-time graphic representation of their operation.

    The synth also displays a numerical reading of currently controlled parameters in the patch window box at the top of the screen. KV331 also provides four graphical skins to change the synth’s look based on your preferences. Check out this video of a quick first exploration of SynthMaster 2 for a basic idea of its sound and functionality.

    These Aren’t Your Grandmother’s Synth Oscillators or Filters

    Options for oscillators abound, with an array of classic waveforms, wavetables, and importable samples. Additive oscillators include eight basic oscillators running simultaneously for huge sonics. Vector oscillators provide an X-Y interface to indulge in vector synthesis between the four oscillators.

    FM, phase modulation, ring modulation, and a free oscillator mode all exist. The first three leverage the even more basic oscillators known as modulators. Knobs provide control for oscillator sync, key tracking, drift, detuning, and more. Each main oscillator includes a variety of synthesis algorithms for extra sonic manipulation. It’s the most stunningly deep and complex part of the SynthMaster 2 architecture.

    Each SynthMaster 2 layer includes two filters, each with its own six algorithm categories. Those include digital, virtual analog, ladder, diode ladder, state variable, and bite. Options for low-pass, high-pass, bandpass, and others abound. Of course, the standard array of filter controls – cutoff, resonance, key tracking – exist, while other controls vary depending on the algorithm used.

    Users also enjoy routing options for the filters accessible from a tab below the filters. Again, the detail and complexity built by KV331 simply stun. Peruse the over 1000 presets to get a feel for the sonic power of this synth’s filters and oscillators.

    SynthMaster 2 Provides Deep Modulation Options… and Effects!

    Beneath the oscillators and filters lies a section with a wide array of functionality. Four each of ADSR envelopes, multi-segment envelopes, keyscalers, and LFOs serve as modulation sources for each synth layer. Macros (Easy Parameters) and X/Y pads also serve as a source. Simply long press a potential source or destination to set the opposite pair. You are able to add multiple destinations to a single modulation source. A tab to access the detailed modulation matrix lurks at the bottom of the screen. The ability to add modulation pairs from the matrix itself would be nice.

    SynthMaster 2’s robust effects section includes 13 effect types with five inserts per synth layer. Two global sends also exist. EQ, distortion, LoFi bit mangling, reverb, phaser, and chorus highlight the effects engine. There’s even a vocoder. Of course, the effects serve as nice modulation destinations.

    As noted earlier, when using SynthMaster 2 within a container app like AUM, the user needs to experiment to find the right view. Check out the Broken Highway video below to see different views in action within AUM.

    The Most Complex iPad Synthesizer?

    All this complexity means little without great sound. Thankfully, SynthMaster 2 offers high-end sonics that easily rival any other iOS or desktop synthesizer. Again, just browse the massive number of presets to get a sense for the nearly limitless sonic possibilities.

    Check out this video featuring a SynthMaster 2 jam with three instances of the synth within AUM. It’s a bit of a Berlin School exploration that highlights the inspirational nature of this synth. As noted earlier, the app provides different views of each synth within AUM based upon what I needed to tweak during the jam. This flexible interface definitely helps when considering the limited screen real estate of an iPad.

    SynthMaster 2 simply ranks among the best synthesizer apps, desktop or mobile. The fact KV331 fit the desktop version into an iPad remains an achievement to be celebrated. Sure, it’s highly complex, but definitely rewards any deep dive into its robust sound design possibilities. I heartily recommend the iPad version for any iOS musician. Electronic explorers also need to check out the desktop version.

  • Review: SynthMaster One iOS gives your iPad Desktop Synth Power

    Review: SynthMaster One iOS gives your iPad Desktop Synth Power

    The folks at KV331 did it again. This time out, they successfully ported their desktop synth plugin – SynthMaster One – to the iOS platform. Any sonic differences between the two are barely noticeable, if at all. iPad synth aficionados need to add SynthMaster One iOS to their shortlist.

    SynthMaster One iOS Features

    • Semi-Modular Architecture with 2 OSC, 2 Subs, 2 Filters, 4 Envelopes and More
    • Wavetable Synthesis with Large Wavetable Library and User Import
    • 16-Step Sequencer/Arpeggiator supports those Weirdo Time Signatures
    • Synth Presets are Compatible with Desktop Version
    • 11 Different Effect Types
    • 500 Factory Presets by Leading Sound Designers
    • Support for Microtuning
    • Robust Modulation Matrix
    • Support for AUv3, IAA, Audiobus
    • Share Presets using AirDrop, Mail, etc.
    • Available for $19.99 at the iTunes App Store

    On release, SynthMaster One establishes itself as one of the top synths on the iOS platform. The desktop version is an award-winner, thus it is reasonable to expect a similar reception from iPad musicians. Read on to find out more about this top notch synth app.

    SynthMaster One iOS is Essentially Identical to the Desktop Version

    The fact SynthMaster One iOS sports an identical feature set as its desktop older brother reveals the quality of this app. Any differences are only minor. The mobile version supports 16 voices compared to 32 on the desktop. There are also 300 fewer presets on the iOS app. That’s it!

    SynthMaster One iOS-1
    SynthMaster One sports an intuitive interface. Screenshot by author.

    I had difficulty finding any audio differences between the two apps in my studio. We give much kudos to the team at KV331 for a great job porting SynthMaster One to the resource-constrained environment of the iPad. Other synth (and effect) plugin developers need to look at the iOS platform to port their wares. As always, revenue is the prime driver when making that decision.

    An Intuitive iOS Synth App Interface

    Just like the desktop version, SynthMaster One iOS features an easy to use interface. Anyone familiar with subtractive synthesis simply needs to dive right in. In a similar manner as SynthMaster One Desktop, the iPad app fits everything onto one screen.

    SynthMaster One iOS-2
    SynthMaster One iOS with the modulation matrix and sequencer displayed. Screenshot by author.

    Patch management and other utility functions lurk at the top of the screen. The meat of the synth architecture is housed below in an array of tabbed windows. Everything is clearly laid out and easy to follow. Oscillators, filters, envelopes, LFOs, routing, effects, sequencer, a modulation matrix, and the expandable virtual keyboard are all easily managed.

    When tweaking many of the synthesizer controls, a graphical indication of the setting – in real time – magically appears in the center of interface. It returns to normal when complete. This provides another example of the usability of SynthMaster One.

    Sliders, buttons, and switches are clearly displayed. If you are new to synthesis, the manual helps to explain some of the more esoteric concepts. Additionally, check out the iOS tutorial videos for additional insights into SynthMaster One’s functionality.

    A Top Notch Synth Engine

    If you read our review of the desktop version of SynthMaster One, you understand the care KV331 took in giving the app many of the same characteristics of a hardware synthesizer. For example, support for free oscillators and drift simulate some of the unique behavior of a vintage piece of gear. Each oscillator also gets its own suboscillator, making it easy to create those synth patches of doom.

    Support for both wavetables and waveshaping algorithms is another welcome feature of SynthMaster One iOS. Waldorf Nave is one other iOS synth featuring wavetable architecture. This functionality, including the ability to import your own wavetables, also greatly adds to the sonic scope of the instrument.

    The arpeggiator/sequencer is easy to use and supports odd time signatures. 11 different effect types add to the fun. Each synth patch has five effect slots. They are perfect for finishing off the perfect sounding preset.

    Browse the 500 factory presets to get a feel for the possibilities with SynthMaster One. The patch browser uses an attribute-based identification system, making it easy to find something suitable for exploration. Some of the top sound designers in the business built patches for the instrument. Remember, your desktop patches are compatible with the iOS version!

    Thankfully, SynthMaster One iOS supports the AUv3 plugin format. The app also handles Audiobus and Inter-App Audio, making it easy to use the synth in your current and future mobile music projects.

    Since hitting the App Store, SynthMaster One iOS quickly rose to the top of the list of iOS synth apps. Its compatibility with the desktop version makes it easy to swap patches between the two platforms. If you are in the market for a top shelf iPad synth app, put it on your shortlist. KV331’s first mobile synth app is that good!


  • Review: SynthMaster One brings Great Value as a Software Synthesizer

    Review: SynthMaster One brings Great Value as a Software Synthesizer

    Anyone searching for a flexible software synthesizer with a wide array of sonic possibilities at a great price need look no further than SynthMaster One. Developed by KV331 Audio, this soft synth is also easy to use, with an entire interface that fits on one screen. Supporting most popular plug-in formats and including a standalone Windows version, SynthMaster One is worthy of your attention.

    SynthMaster One Features

    • Two Stereo Oscillators each with its own Flexible Sub-Oscillator
    • Four ADSR Envelopes, Two Filters, Two LFOs
    • 16-step Arpeggiator/Sequencer supports Different Time Signatures
    • Wavetable Synthesis with User-Defined Tables
    • Eleven Effects with Six Inserts
    • Microtuning
    • Modulation Matrix
    • Easy to Navigate Preset Browser
    • 500 “Factory” Presets

    Effectively a condensed version of KV331’s award-winning SynthMaster plug-in, SynthMaster One stands out as one of the best values in the synthesizer plug-in world – its street price is $79. Let’s dive in to the details to see if it makes sense in your music arsenal.

    A Straightforward Synth Interface

    SynthMaster One manages to fit an entire synth architecture on one, easy-to-follow page. I had to run it FL Studio’s “detached” mode to get everything on my 15-inch laptop’s screen. Still, nearly all functionality is accessible from this one screen.

    synthmaster one in the studio
    SynthMaster One at work in the studio. Photo by author.

    The synth controls – oscillators, envelopes, filters, etc. – dominate the main screen with a window in the middle used for effects, filter routing, and the arpeggiator/sequencer. The layout is clear and logical, and should be intuitive for anyone familiar with subtractive synthesis. A virtual keyboard and buttons accessing utility functionality reside at the bottom.

    A variety of skins allow some customization to the interface, but the contrast of the default setting works best in most low-light situations. It is simple enough to switch skins.

    At the top of the screen there is a navigation area for switching between presets. A dedicated preset browser allows searching using a host of metadata. Users familiar with Massive’s patch browser will feel right at home.

    Flexible Oscillators add Sonic Complexity

    The heart of SynthMaster One’s architecture lies in its two flexible oscillators. Each of them comes with its own suboscillator. In addition to serving the traditional function of adding bass heft to a patch, you are able to use these subs for a variety of modulation functions, including ring, FM, and more.

    With oscillator waveforms that run the gamut from traditional analog-style to samples to wavetables, you have a nearly unlimited amount of sounds at your fingers. 16 waveshaping algorithms let you modify the waveforms in a host of ways, such as filter, sync, bitcrush, and pulse.

    The Unison setting lets you stack up to 16 detunable oscillators for supersaw and chorusing effects. Additional settings control the detuning, spread, and more for the stack. Remember that these are stereo oscillators, as noted by the pan control. Free oscillator mode and ability to add “drifts” enhance the synth’s ability to simulate the vagaries of vintage analog devices.

    The support for wavetable synthesis – and the ability to use your own wavetables – greatly adds to the extensibility of SynthMaster One. Newly sampled waveforms can be used as well – a boon for those with access to vintage synths.

    Filter, Envelope, and LFO Options Abound

    As mentioned earlier, the management of SynthMaster One’s filter architecture is handled in the multi-purpose window at the middle of the screen. As expected, the two filters can be arranged in split, parallel, or series. A standard array of parameters – cutoff, resonance, etc. – exists for all the filter types.

    The Acid setting links the cutoff and resonance, while Boost compensates for lower outputs in high resonance situations. The filter types simulate a variety of classics, like the Moog Ladder, the Roland TB-303, Oberheim’s SEM, and the Korg MS-20.

    Two ADSR envelopes are used to control the amps, while two modulation envelopes handle the filters. Expect the standard array of envelope parameters controlled by sliders. You are able to drag and drop to change the envelope shapes, even switching from linear to exponential. Once again – flexible!

    The two LFOs are connected to each filter respectively, but you can also use them as modulation sources as discussed later. The parameters include a setting to sample and hold the LFO output.

    SynthMaster One’s interface supports the drag and drop connection of modulation sources to their destinations; you can also see existing connections at a glance. Additionally, there is a separate modulation matrix screen to manage these connections. Either way works like a breeze.

    Arpeggiator and Effects

    As noted before, the middle screen in SynthMaster One also manages the arpeggiator/sequencer and effects, in addition to filter routing. Thankfully, in addition to polyphony the arp also supports odd time signatures. The importing of standard MIDI files and real time sequence recording are two other useful features.

    SynthMaster One includes eleven (one more than ten) effects to be used in six effect slots. Expect the standard collection of synth effects, including a vocoder. The parameters and their control are all quite intuitive.

    Be sure to check out KV331 useful tutorial videos and user manual for a full explanation of SynthMaster One’s functionality.

    In short, SynthMaster One might be the best value in a software synthesizer priced under $100. Its flexibility, extensibility, and ease of use are all top notch. Its “Big Brother” won many industry awards in the synth world, and KV331’s new model looks to be headed down a similar path.