Tag: iPad effects apps

  • Review: FAC Punchlab helps iOS Musicians Mix and Master with Ease

    Review: FAC Punchlab helps iOS Musicians Mix and Master with Ease

    Fred Anton Corvest’s iOS plugins rank among the most-used effects on our iPad music projects. Check out our review of his effects bundle from a few years ago. I primarily use Apple’s tablet computer to create beats or stems for further overdubs using Reaper on the desktop. For example, FAC Maxima remains our top plugin choice for mastering within AUM. FAC Punchlab expands this functionality and more!

    Fred recently released Punchlab for iOS, a AUv3 multi-effects plugin effectively serving as a Swiss Army knife for your next music project. We decided to try it out on two stems in development for an upcoming Church of Hed album. We found FAC Punchlab to be an intuitive tool, letting you quickly dial in one or more effects for a single track, buss, or even an entire mix. Let’s check it out!

    FAC Punchlab Features

    • Combines up to Nine Effects on a Track or Master Buss
    • Effects Provide a Full Range of Sound Design and Control
    • Includes Filters, Transient Control, Limiting, Saturation, and More
    • Intuitive Dynamic UI makes Touch Control a Breeze
    • Responsive UI Evolves based on iPad vs. iPhone and Parent App
    • Reorder Effects with Simple Gestures
    • Seamless Present Management
    • Supports the AUv3 Plugin Format on iOS, iPadOS, macOS, and visionOS
    • Available at the App Store for $14.99

    FAC Punchlab provides mobile musicians and producers with a top-shelf effects rack with a seamless, intuitive interface. Controlling the app with touch gestures especially works great on the iPad. I now use it instead of or in tandem with FAC Maxima on the master buss in AUM or Cubasis.

    FAC Punchlab has a Top-Shelf iPad User Interface

    The FAC Punchlab interface features an “Advanced Responsive Design,” which means it seamlessly adjusts itself based on the host app. It provides both portrait and landscape views, easily switching between the two as necessary. I used it in both AUM and Cubasis and had no problems leveraging the intuitive interface to quickly adjust effects settings.

    FAC Punchlab in Action
    FAC Punchlab features an intuitive and adaptive user interface. Screenshot by author.

    Punchlab includes nine separate effects; simple button taps switch each effect on or off. Taps and swipes also serve to control each effect’s unique settings, including levels, switches, and other settings. An animated graphic in the middle of each effect evolves based on the changes to the settings. Simply put, the UI makes controlling Punchlab both fun and powerful.

    Meters displaying the plugin’s I/O levels as well as the output waveform lie above the nine effects. Below resides the preset manager and a button displaying the app’s information screen. Note the button on the lower right that toggles a mode for reordering Punchlab’s effects. Use intuitive drag and drop gestures to move the effects around based on your desired audio flow.

    Exploring the Effects of FAC Punchlab

    Punchlab’s “rack of nine” provides a full range of effects suitable for instrument, buss, or master tracks. As noted earlier, simply toggle each effect on and off to get the right processing setup for your specific needs. This flexibility pays dividends on any mobile music project.

    Using Punchlab in Cubasis
    FAC Punchlab seamlessly fits in the Cubasis UI. Screenshot by author.

    Now, let’s examine the features of each of the nine effects:

    • Attack: The Attack effect lets you design transients. The Punch slider controls the attack slope, while the Depth knob manages its level, no matter the slope.
    • Phat: Phat serves as the saturation effect for Punchlab. Two knobs control its drive and saturation depth. The Model button provides access to five different saturation models, providing sonic flexibility.
    • Boum: A cool resonant filter, Boum offers unique sonic exploration within Punchlab. Two knobs control the depth and decay. The ability to tune the note of the resonance is also cool. Finally, the Audition switch lets you only hear the effected Boum output.
    • Heat: If you need the sonic clarity provided by an exciter, Heat serves in this role for Punchlab. This effect includes control over the exciter’s amount as well as its pre-gain. Use the Oxygen slider for additional coloration and character.
    • Tone: The Tone effect includes a filter array: a shelf filter plus a low-pass or high-pass option. Use the dual knob and the two sliders to control the respective cutoff frequencies.
    • EQ: Another filter array with two bell filters provides EQ within Punchlab. Use the dual knob to control the gain for both, while dual sliders manage the cutoff frequencies.
    • Fizz: Fizz is one of the more unique effects in Punchlab. It provides audio rate modulation using six different models, plus you also control the modulation frequency with the Note slider. Experimentation and exploration become easier when playing around with Fizz (and Boum in tandem).
    • Clip: The Clip effect also provides a cool source for sonic exploration within Punchlab. You gain control over the clipper’s knee curve and gain using the knob. The Shaper slider controls the effect’s harmonic profile. The Auto-gain switch compensates for any reduction in the signal.
    • Mix: Finally, the Mix control serves in its traditional role, blending the dry and wet audio signals. It also includes a High Quality switch for oversampling and a final limiter switch with brickwall, hard, and off settings.  

    Putting Punchlab through its Paces

    As noted earlier, the iPad serves as my musical tool for beatmaking and stems. Using Punchlab in Cubasis on two stems for an upcoming Church of Hed album provided a perfect test scenario. One track includes a Berlin School synth sequence on the Minimoog Model D app with the Model 15 providing aural scenery. The other piece conjures a surreal aural landscape using the Model D in tandem with Animoog Z.

    In both cases, Punchlab’s array of effects provided an easily controllable chain leveraging the app’s intuitive touch-powered user interface. Toggling effects with simple taps while controlling their parameters with finger swipes makes mobile music production alluring. Fred simply knows how to craft top-shelf user experience for iPad musicians. Note that Punchlab is also available for the iOS on the iPhone and iPod Touch, as well as the macOS and visionOS platforms. However, I only tested it on my iPad Pro.

    Notably, Punchlab parameters respond to automation in Cubasis, enhancing the effects app’s capabilities for sound design or more esoteric music works. A robust preset library provides additional insights on the app’s potential uses on your next project. Access present management functionality at the bottom of the plugin.

    An Essential iOS and iPadOS Effects Plugin

    Punchlab quickly became one of my most essential options for different utility and creative use-cases for iPad music projects. The ease of use and intuitive interface makes learning it a breeze functionality. You need to explore adding FAC Punchlab to your effects arsenal. Fred Corvest made another great mobile music effect, or actually nine great effects in one!

  • Review: This Fred Anton Corvest iOS Effects App Bundle is a Must

    Review: This Fred Anton Corvest iOS Effects App Bundle is a Must

    As more iOS music apps support the AUv3 plugin standard, I find myself turning again to the mobile platform for my beatmaking needs. Fred Anton Corvest is an indie app developer with a small family of effects apps supporting AUv3. They are a must-get for anyone doing serious music production on their iPad.

    Each effect within Frederic’s collection works great on its own, but buying all four as a bundle just makes more sense.  Let’s check them out!

    FAC Chorus

    FAC Chorus provides the functionality of a straightforward chorus pedal on your iPhone or iPad. In fact, the iPhone’s UI is oriented like an effects pedal, while the iPad version uses more of rackmount design. This same form factor applies to Fred’s other three effect apps.

    FAC-Chorus
    FAC Chorus in action tweaking your beats. Screenshot by author.

    The effect uses two separate internal delay lines with simulated BBD circuitry, giving it extra warmth suitable for guitars, synths, or beats. Since I primarily use my iPad as a beatmaker, it definitely works nicely in that regard. In the hardware realm, I typically pair my Arturia DrumBrute with a Hotone Skyline Chorus pedal, so it’s great having something similar on iOS.

    Ultimately, if you are familiar with the functionality and controls of a hardware chorus pedal, the FAC version makes you feel right at home. There are a host of presets to help get you started, and a simple long button press on the preset name lets you save your changes to a new patch, as with the other FAC apps. It’s a simple virtual chorus pedal with great sound, and it supports the AUv3 plugin format. So there.

    FAC Maxima

    If you need a mastering plugin for your iPad musical project, FAC Maxima needs to be on your shortlist. This AUv3 plugin works well as either a compressor or limiter, while providing a useful real-time display of the audio waveform, providing valuable feedback on the impact of the effect. It’s also easy to use, especially if you are familiar with mastering processors.

    FAC-Maxima
    Pounding your brain with FAC Maxima. Screenshot by author.

    Maxima is perfect for my iPad use-case of beatmaking. It gets added as the last effect on the master channel, in a similar manner as the venerable TC Electronic Finalizer in our studio. It gives those stereo beats power and heft before overdubs are added in a desktop DAW.

    The plugin also works well when used on individual tracks. Frederic even recommends it for keeping vocal levels under control in DJ or spoken work applications. Check out the included presets for inspiration.

    FAC Transient

    FAC Transient is one of the more esoteric effects in the Corvestian bundle. At its heart, it’s another dynamics processor, but one giving you an extra level of control over the attack and sustain portions of an envelope. When tweaked in the right fashion, it offers a unique, almost tonal effect when used with a drum beat.

    FAC-Transient
    FAC Transient is a useful beat-tweaking AUv3 plugin and more. Screenshot by author.

    The plugin uses three envelopes, one each for the input, attack, and sustain circuits. You also gain control over the length of each phase. Ultimately, you are able to use an instance on each track in your mix for a superior level of sonic sculpting power.

    While there are a copious number of presets to give you a better idea of Transient’s possibilities, frankly it’s better just to jump right in and start tweaking. At least, I’ve found it to be a rewarding approach during my beatmaking applications. Those of you who use iOS for full studio productions benefit from the added mixing control made possible by Transient. In short, you need this plugin.

    FAC Envolver

    Unique among Frederic Corvest’s plugins is FAC Envolver. Able to function as both an audio and/or a MIDI effect, this plugin provides many uses within any iOS music project. On the MIDI side, an envelope follower generates data (Notes, CC, etc.) based on the input signal. It also includes a noise gate and “trance” gate to effect the incoming audio signal.

    FAC-Envolver
    FAC Envolver is a powerful and unique AUv3 plugin. Screenshot by author.

    A somewhat complex user interface – at least compared to the other FAC plugins – remains easy to tweak. You are able set the generated MIDI note or CC data based on the input, with various parameters also influencing the result. A convenient stereo waveform display provides feedback in a similar manner as Maxima. As a stereo effect, Envolver includes two separate parameter sets – one for each mono channel.

    When used in tandem with the audio gates, it’s possible to get a trance-like feel to your project. Beware, young intrepid traveler, as sometimes stray generated MIDI notes will play on your synth plugins. Well, this happened to me in Beatmaker 3, and it took me around 15 minutes to figure out the source. Oops!

    Ultimately, understanding how the parameters work together is essential to get the most out of Envolver. Once again, the included presets provide enough to get you started, but get in there and tweak away to create some wild mixes and even generative compositions. I expect to dive even deeper into Envolver in the future.

    If you are serious about producing music on your iOS device, the FAC bundle belongs in your collection. It offers everything from a great chorus and mastering processor, to the otherworldly possibilities of Envolver and Transient. All four effects are easy to use, support AUv3, sound great, and are simply fun. What’s not to like?