Tag: Dave Smith Instruments

  • Virtual Dispatches from NAMM 2017

    Virtual Dispatches from NAMM 2017

    The fact that I didn’t attend this year’s NAMM conference doesn’t stop me from writing about a few of the interesting announced products in the synth realm. This same rule applied in both 2015 and 2016. Like many of you, I watch from afar, typically overcome with an acute case of gear lust. Maybe some year I’ll make it?

    toraiz as-1
    The Pioneer DJ/DSI Toraiz AS-1 analog monosynth. Photo copyright Pioneer DJ.

    Unfortunately, NAMM 2017 didn’t feature the same level of innovation as the past few years, but a few synths still managed to pique my interest. Let’s check them out!

    Korg’s ARP Odyssey Re-creation goes Full Size

    When Korg reintroduced the ARP Odyssey a few years back, many synth-heads praised the sound but complained about the mini-keys. Now those naysayers get a chance to put their money where it counts, as Korg announced full-size versions of all three Odyssey models.

    The street price for this analog duophonic synth – known as the ARP Odyssey FS – is $1,599, and all editions grace the market in February. So check with your favorite music retailer if those dreaded mini-keys were keeping you from purchasing Korg’s original ARP remake/remodel.

    The Pioneer DJ/Dave Smith Instruments Toraiz AS-1 Intrigues

    This mashup between a DJ equipment company (Pioneer DJ) and one of the most respected synth designers in the business (Dave Smith) looks like a Korg Monotron on steroids. An analog monosynth, the Toraiz AS-1 features a synth engine that’s essentially a one-voice version of the DSI Prophet 6. The touchpad keyboard triggers the comparison with the Monotron.

    A 64-step sequencer and a host of filters and effects from the Prophet 6 help round out the Toraiz feature set. The synth also integrates with the Toraiz SP-16 sampler/sequencer. The small LED display helps DJs control the device when inside a club.

    At a street price of $499, this is a product that intrigues me and my limited budget, but my eyes are still trained on the Make Noise 0-Coast – I’d already own one if not for the Arturia DrumBrute. Expect the synth in March.

    The Electro-Harmonix Blurst Modulated Filter Pedal

    As a drummer and synth player, I only recently discovered the sonic joy of pairing guitar effects pedals with synthesizers – late to the party as usual. I love my EH Deluxe Memory Boy delay pedal, and Electro-Harmonix’s new Blurst filter pedal looks like something to fill a current need in the studio. It’s an analog low-pass filter featuring LFO modulation with tap timing – perfect for any modern keyboardist wanting an edgier sound.

    ElectroHarmonix_Blurst
    EH’s Blurst analog filter effect pedal. Photo copyright Electro Harmonix.

    The availability of the Blurst is still TBA, but at a unique street price of $137, expect many to grab one when it arrives on the marketplace.

    The Eurorack community probably had most of the innovative synth products at this year’s NAMM – new modules abound. Since I am still successfully avoiding that bottomless pool – the 0-Coast lust being an exception – these two synths and effect pedal appear to be most alluring synth-related products for my tastes in a down year for NAMM.


  • NAMM 2015 and the Analog Synthesizer Renaissance

    NAMM 2015 and the Analog Synthesizer Renaissance

    Sorry for the relative lapse in new content here at TabMuse. I’ve been working hard on the new Church of Hed album, Electric Sepulcher, so my time for TabMuse is more fleeting. We’ll work on fixing that in the future.

    As usual, gear lust ruled the day at this year’s NAMM show in Los Angeles. This time last year, I was cleaning up myself after spewing copious amounts of foam due to the NAMM 2014 announcement of the Moog Sub 37. After waiting impatiently for most of the year I took delivery of my own Sub 37 in October.

    This year featured even more exciting product announcements in the analog synth realm, but with my gear budget essentially gone after the Sub 37, I’ll be staying on the sidelines this time out. Nonetheless, we’ll take a look at some of the promising NAMM announcements now populating the wish lists of many synth freaks.

    The Return of the Moog Modular

    Arguably the biggest synth news out of NAMM 2015, Moog reintroduced its classic line of modular synthesizers to the marketplace. Priced from $10,000 to $35,000, these are essentially luxury musical instruments; wise shoppers can get a similar setup from Synthesizers.com at a fraction of the price. But…. Moog!

    Moog System 55
    Moog’s System 55 modular synthesizer in all its glory. Photo copyright Moog Music, Inc.

    Still, it was cool to see Suzanne Ciani and other industry legends, old and new, patching up a Moog Modular System 55. It is expected that Moog plans to sell individual modules from these systems, but no news as of yet. Ultimately, those larger Moog systems are beasts; Eurorack makes more ergonomic sense for this dreamer.

    Dave Smith brings back Sequential Circuits

    Legendary synth designer, Dave Smith, regained the rights to use the “Sequential Circuits” moniker, and what better synth with which to reintroduce that brand name than the new Prophet 6, announced at NAMM 2015. This reimagining of the classic analog poly synth set many hearts aflutter.

    In addition to the standard features of an analog synth, the Prophet 6 raises the bar with 24-bit multi-effects (with true bypass for analog purists) and a polyphonic step sequencer. Street price on this bad boy comes in at $2,799. It is expected to ship in the summer of 2015.

    Korg goes on a Mini Odyssey

    One of the most anticipated synth rebirths at NAMM 2015 was Korg’s reintroduction of ARP’s classic Odyssey synth. Korg offers new versions of all three of Odyssey models, albeit in a plastic casing with mini keys, causing much controversy amongst synth heads. With a street price of $999, the smart shopper might spend a bit more on a Moog Sub 37 or wait to see what Behringer’s reported Odyssey clone looks like when it hits the market.

    Korg also introduced a desktop module version of its MS-20 kit that includes the new SQ-1 hardware step sequencer. Considering the street price of $1,199, thankfully the SQ-1 is also available separately for $99 putting it square within my wheelhouse. The fact that the sequencer includes a separate CV out compatible with the littleBits Synth Kit, means I am all over this once the new Church of Hed album is finished and I can go back into R&D mode.

    The modular synthesizer cottage industry was also in full force at NAMM with Make Noise, Doepfer, and others displaying new modules and more. I am still a couple years out from making a dive into the modular world, but it is inspiring to see a thriving scene afoot.

    Well, that’s all I’ve got this time out. Maybe one year I will actually attend NAMM instead of lusting from a distance? In the next few weeks here at TabMuse expect reviews of VirSyn’s cool additive synth app for iOS, Cube, and coverage of the upcoming Sub 37 firmware update that includes full sequence editing and other neat features.